Alwast, PeterRyan Renshaw2015-12-131/04/2013http://hdl.handle.net/1885/73409Utilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading.1 works120x 144cm Giclee print on Hahnemuhle paperUtilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading. The exhibition continues my interest in the relationship of the real to the virtual, the processes of translation between the analogue and digital world and how we may find our place within it. In The Evening 120x 144cm Giclee print on Hahnemuhle paper2013-04-012024-04-21