Rickwood, Julie2022-08-311320-078Xhttp://hdl.handle.net/1885/272357This story is framed within an Orff-like incorporation of the music of different cultures. Across the world, the Orff process has been adapted to reflect local traditions and local music-making. For Orff, the voice was central, as much a part of his practice as the Instrumentarium. This story is also one of crossing over cultures, where South African gospel has found a new expression in translation into Aboriginal languages, resulting in respectful exchange and community sharing.application/pdfen-AU© 2014 The authorsThe Big Sing in the Desert: An Emphasis on Exchange and Common Ground20142021-08-01