dc.contributor.author	Jaireth, Subhash	en_AU
dc.date.accessioned	2010-08-19T00:21:42Z	en_US
dc.date.accessioned	2011-01-04T02:34:35Z
dc.date.available	2010-08-19T00:21:42Z	en_US
dc.date.available	2011-01-04T02:34:35Z
dc.date.issued	1996
dc.description.abstract	This thesis attempts to unravel the nature of time in the trilogy and invokes Mikhail Bakhtin’s notion about the forms of time and the chronotope in literary narratives to do that. Bakhtinian concept of the chronotope provides a suitable strategy for reading a trilogy that aims to re-present ‘real’ time, place and human beings. The concept also provides a vantage point from where the trilogy can be read both from within the time-space of its main protagonists and from that of its author, readers, performers and spectators.	en_US
dc.identifier.other	b19640456
dc.identifier.uri	http://hdl.handle.net/1885/49343
dc.language.iso	en	en_US
dc.rights.uri	The Australian National University	en_US
dc.subject	theatre, forms of time, time-space, Edvard Radzinskii, “Theatre of the Times”, Mikhail Bakhtin, chronotope, literary narratives, dialogism, novelisation, socialist-realism	en_US
dc.title	Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’	en_US
dc.type	Thesis (PhD)	en_US
dcterms.valid	1996	en_US
local.contributor.affiliation	The Australian National University	en_US
local.contributor.affiliation	Department of Modern European Languages, College of Arts and Social Sciences	en_US
local.description.refereed	yes	en_US
local.identifier.doi	10.25911/5d7a2ce8148fe
local.mintdoi	mint
local.type.degree	Doctor of Philosophy (PhD)	en_US

Theatre of the times of Socrates, Lunin and Nero : Time and space in Edvard Radzinskii’s trilogy ‘Theatre of the Times …’

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