Revolution is the New Black: Graffiti/Art and Mark-making Practices

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dc.contributor.authorFrederick, Ursula
dc.date.accessioned2015-12-10T22:21:33Z
dc.date.issued2009
dc.date.updated2016-02-24T09:51:54Z
dc.description.abstractIn recent years there has been a strong resurgence in the production and visibility of graffiti/art in Australian cities. This paper considers what we may learn about this practice by adopting an archaeological approach to its study. The results yield interesting insights into two contemporary phenomena of graffiti/art production that offer intriguing links to Australian rock art. The study considers the significance of contemporary mark-making and explores how this practice may inform our approach to rock art research.
dc.identifier.issn1555-8622
dc.identifier.urihttp://hdl.handle.net/1885/52268
dc.publisherSpringer
dc.sourceArchaeologies: Journal of the World Archaeological Congress
dc.subjectKeywords: Art; Australia; Contemporary archaeology; Graffiti
dc.titleRevolution is the New Black: Graffiti/Art and Mark-making Practices
dc.typeJournal article
local.bibliographicCitation.issue2
local.bibliographicCitation.lastpage237
local.bibliographicCitation.startpage210
local.contributor.affiliationFrederick, Ursula, College of Arts and Social Sciences, ANU
local.contributor.authoruidFrederick, Ursula, u4033332
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor190599 - Visual Arts and Crafts not elsewhere classified
local.identifier.absfor210104 - Archaeology of Australia (excl. Aboriginal and Torres Strait Islander)
local.identifier.ariespublicationu3025350xPUB243
local.identifier.citationvolume5
local.identifier.doi10.1007/s11759-009-9107-y
local.identifier.scopusID2-s2.0-70349992952
local.identifier.thomsonID000268293800002
local.type.statusPublished Version

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