Go jugun kameraman no egaita Nihonheizo to sono henka = Images of Japanese soldiers, filmed by an Australian war cameraman and their changes

Abstract

War cameraman Damien Parer (1912–44) is best known for his newsreel films of the war in New Guinea. In his most famous work, Kokoda Front Line, in 1942, Parer comments that the Japanese were ‘complete masters of camouflage and deception’. The invisibility of the Japanese soldiers posed a challenge to the cameraman and the production team, as film essentially has to rely on visual images. As the war progressed, Parer managed to capture images of the enemy, and these were shown in his newsreels. This paper examines visual images of the Japanese captured by Parer during the battles against them, and their representation in the three newsreels, Kokoda Front Line, Bismarck Convoy Smashed and Assault on Salamaua. An exploration of Parer’s footage for these newsreels reveals several shifts in tone as the war increased in intensity and as his attitude towards the enemy hardened in the process