The relational origins of inter-media art in painting, interior design and picture framing: Pamela Gaunt’s Errant Abstractions

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dc.contributor.authorRead, Richarden_AU
dc.contributor.editorHawker, Rosemaryen_AU
dc.contributor.editorMcNeil, Peteren_AU
dc.date.accessioned2021-04-15T06:40:00Z
dc.date.available2021-04-15T06:40:00Z
dc.date.issued2012en_AU
dc.format.mimetypeapplication/pdfen_AU
dc.identifier.issn2200-6931en_AU
dc.identifier.urihttp://hdl.handle.net/1885/229976
dc.language.isoen_AUen_AU
dc.publisherANU Pressen_AU
dc.rights© 2012 ANU Pressen_AU
dc.sourcecraft + design enquiry : Relational Craft and Designen_AU
dc.source.urihttp://press-files.anu.edu.au/downloads/press/p202481/pdf/ch06.pdfen_AU
dc.titleThe relational origins of inter-media art in painting, interior design and picture framing: Pamela Gaunt’s Errant Abstractionsen_AU
dc.typeJournal articleen_AU
dcterms.accessRightsOpen Access via publisher websiteen_AU
local.bibliographicCitation.issue4, 2012en_AU
local.identifier.doi10.22459/CDE.04.2012.06en_AU
local.identifier.essn1837-445Xen_AU
local.type.statusMetadata onlyen_AU

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