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China, Hollywood and Split Screens

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Qian, Ying

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ANU Press

Abstract

THE FILM MARKET in China is flourishing. Whereas in 2002, Chinese cinemas sold US$133 million worth of tickets, total box office revenues in 2013 amounted to US$3.6 billion. In 2014, China’s box office had reached US$1.6 billion by 21 May, just 141 days into the year. Both imported and Chinese films were doing well. Among the twenty-four films that had made over US$16 million, half were categorised as ‘domestic’ films, generating a total revenue of US$670 million. The other half were foreign, mainly Hollywood films, earning US$630 million. Protectionist policies might have contributed to the box office success of domestic films: the government only allows thirty-four foreign films to be imported annually, and the authorities have reportedly pulled successful imported films from cinemas from time to time to create breathing space for new domestic features.

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Shared Destiny

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Open Access via publisher website

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