Mixed Mother Tongues: Memoirs of Interlingual Childhoods

dc.contributor.authorBesemeres, Mary
dc.date.accessioned2015-12-10T23:18:41Z
dc.date.issued2015
dc.date.updated2015-12-10T10:08:19Z
dc.description.abstractChildhood involves entering “a stage which we did not design” and playing “subordinate parts in the dramas of others” (in the words of philosopher Alasdair MacIntyre). What happens when the script of the “drama” a child is born into is spoken in more than one language—when the main players, one’s parents, come from different, even mutually hostile speech communities? While mixed race memoir is an increasingly recognized field, memoirs of mixed mother tongue families are a less familiar genre of life writing. This article considers Irish author Hugo Hamilton’s memoir The Speckled People and Algerian-born French writer Le€ıla Sebbar’s Je ne parle pas la langue de mon pere as compelling examples of the mixed mother tongue genre, which explore how parental languages may be imposed or withheld, and the effects of this on children’s lives.
dc.identifier.issn0898-9575
dc.identifier.urihttp://hdl.handle.net/1885/65730
dc.publisherUniversity of Wisconsin Press
dc.sourceAuto/Biography Studies
dc.titleMixed Mother Tongues: Memoirs of Interlingual Childhoods
dc.typeJournal article
local.bibliographicCitation.issue2
local.bibliographicCitation.lastpage248
local.bibliographicCitation.startpage233
local.contributor.affiliationBesemeres, Mary, College of Arts and Social Sciences, ANU
local.contributor.authoruidBesemeres, Mary, u8902102
local.description.embargo2037-12-31
local.description.notesImported from ARIES
local.identifier.absfor200209 - Multicultural, Intercultural and Cross-cultural Studies
local.identifier.absseo950201 - Communication Across Languages and Culture
local.identifier.ariespublicationu9803255xPUB1150
local.identifier.citationvolume30
local.identifier.doi10.1080/08989575.2015.1082749
local.type.statusPublished Version

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