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Music of 18 Performances: Evaluating Apps and Agents with Free Improvisation

Martin, Charles; Gardner, Henry; Swift, Ben; Martin, Michael

Description

We present a study where a small group of experienced iPad musicians evaluated a system of three musical touch-screen apps and two server-based agents over 18 controlled improvisations. The performers’ perspectives were recorded through surveys, interviews, and interaction data. Our agent classifies the touch gestures of the performers and identifies new sections in the improvisations while a control agent returns similar messages sourced from a statistical model. The three touch-screen apps...[Show more]

dc.contributor.authorMartin, Charles
dc.contributor.authorGardner, Henry
dc.contributor.authorSwift, Ben
dc.contributor.authorMartin, Michael
dc.coverage.spatialSydney, Australia
dc.date.accessioned2016-01-04T01:32:30Z
dc.date.created18-21 November 2015
dc.identifier.issn1448-7780
dc.identifier.urihttp://hdl.handle.net/1885/95205
dc.description.abstractWe present a study where a small group of experienced iPad musicians evaluated a system of three musical touch-screen apps and two server-based agents over 18 controlled improvisations. The performers’ perspectives were recorded through surveys, interviews, and interaction data. Our agent classifies the touch gestures of the performers and identifies new sections in the improvisations while a control agent returns similar messages sourced from a statistical model. The three touch-screen apps respond according to design paradigms of reward, support, and disruption. In this study of an ongoing musical practice, significant effects were observed due to the apps’ interfaces and how they respond to agent interactions. The “reward” app received the highest ratings. The results were used to iterate the app designs for later performances.
dc.publisherThe Australasian Computer Music Association
dc.relation.ispartofProceedings of the 2015 Annual Conference of the Australasian Computer Music Association
dc.relation.ispartofseriesAustralasian Computer Music Conference 2015 ACMC2015-MAKE!
dc.rights© The Author(s)
dc.sourceMusic of 18 Performances: Evaluating Apps and Agents with Free Improvisation
dc.source.urihttp://acmc2015.net/wp-content/uploads/2015/11/ACMC2015-Proceedings-Reduced.pdf
dc.subjectcomputer music
dc.subjecthuman computer interaction (HCI)
dc.subjectimprovisation
dc.subjectmobile music
dc.subjectnew interfaces for musical expression (NIME)
dc.subjectintelligent agent
dc.subjectperformance
dc.titleMusic of 18 Performances: Evaluating Apps and Agents with Free Improvisation
dc.typeConference paper
local.description.refereedYes
dc.date.issued2015-11-18
local.identifier.absfor080602 - Computer-Human Interaction
local.identifier.ariespublicationu4334215xPUB1549
local.publisher.urlhttp://acma.asn.au
local.type.statusPublished Version
local.contributor.affiliationMartin, C., Research School of Computer Science, CECS, The Australian National University
local.contributor.affiliationGardner, H., Research School of Computer Science, CECS, The Australian National University
local.contributor.affiliationSwift, B., Research School of Computer Science, CECS, The Australian National University
local.contributor.affiliationMartin, M., Research School of Finance, Actuarial Studies & Applied Statistics, CBE, The Australian National University
local.bibliographicCitation.startpage85
local.bibliographicCitation.lastpage94
local.identifier.absseo950101 - Music
local.identifier.absseo970108 - Expanding Knowledge in the Information and Computing Sciences
dc.date.updated2016-06-14T09:03:39Z
CollectionsANU Research Publications

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