In The Morning

Alwast, Peter

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In The Morning

Description

In The Morning. Utilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading.

dc.contributor.author	Alwast, Peter
dc.coverage.spatial	Ryan Renshaw Gallery, Brisbane, Australia
dc.date.accessioned	2015-12-13T22:25:54Z
dc.date.created	1/04/2013
dc.identifier.uri	http://hdl.handle.net/1885/73472
dc.description.abstract	In The Morning. Utilising video animation, drawing, and giclee printing, Frozen In The Tracks melds together a poetic dialogue about the relentless flow of time and information, the shifting intensities between real and artificial light, and how abstraction and indifference aestheticise real world consequences of high frequency derivative trading.
dc.format.extent	1 works
dc.format.extent	130x169cm Giclee print on Hahnemuhle paper
dc.publisher	Ryan Renshaw Gallery
dc.source	Frozen In The Tracks
dc.title	In The Morning
dc.type	Creative work
local.description.notes	Imported from ARIES
local.identifier.absfor	190502 - Fine Arts (incl. Sculpture and Painting)
local.identifier.ariespublication	U3488905xPUB3705
local.type.status	Published Version
local.contributor.affiliation	Alwast, Peter, College of Arts and Social Sciences, ANU
local.description.embargo	2037-12-31
local.identifier.absseo	950104 - The Creative Arts (incl. Graphics and Craft)
dc.date.updated	2015-12-11T08:19:27Z
local.bibliographicCitation.placeofpublication	Brisbane, Australia
Collections	ANU Research Publications

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