Becoming-sound: Affect and assemblage in improvisational digital music making
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The concepts of affect and assemblage proposed by thinkers such as Gilles Deleuze and Brian Massumi can help us to understand the interaction between users and artefacts in interactive systems, particularly in the context of computer-supported improvisation and creativity. In this paper I provide an introduction to affect and assemblage theory for HCI practitioners. I then use a case study of Viscotheque, an iOS-based interface for group musical collaboration, to demonstrate the application of...[Show more]
dc.contributor.author | Swift, Benjamin | |
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dc.coverage.spatial | Austin USA | |
dc.date.accessioned | 2015-12-10T23:32:16Z | |
dc.date.created | May 5-10 2012 | |
dc.identifier.isbn | 9781450310154 | |
dc.identifier.uri | http://hdl.handle.net/1885/68770 | |
dc.description.abstract | The concepts of affect and assemblage proposed by thinkers such as Gilles Deleuze and Brian Massumi can help us to understand the interaction between users and artefacts in interactive systems, particularly in the context of computer-supported improvisation and creativity. In this paper I provide an introduction to affect and assemblage theory for HCI practitioners. I then use a case study of Viscotheque, an iOS-based interface for group musical collaboration, to demonstrate the application of affective analysis in making sense of improvisational group music making. | |
dc.publisher | Conference Organising Committee | |
dc.relation.ispartofseries | ACM Conference on Human Factors in Computing Systems (CHI 2012) | |
dc.source | CHI ’12: Proceedings of the International Conference on Human Factors in Computing Systems | |
dc.subject | Keywords: Affect; Assemblage; Digital music; Improvisation; Interactive system; Music making; Psychology computing; Human engineering Affect; Assemblage; Improvisation; Music making | |
dc.title | Becoming-sound: Affect and assemblage in improvisational digital music making | |
dc.type | Conference paper | |
local.description.notes | Imported from ARIES | |
local.description.refereed | Yes | |
dc.date.issued | 2012 | |
local.identifier.absfor | 080602 - Computer-Human Interaction | |
local.identifier.ariespublication | f5625xPUB1824 | |
local.type.status | Published Version | |
local.contributor.affiliation | Swift, Benjamin, College of Engineering and Computer Science, ANU | |
local.description.embargo | 2037-12-31 | |
local.bibliographicCitation.startpage | 1815 | |
local.bibliographicCitation.lastpage | 1824 | |
local.identifier.doi | 10.1145/2207676.2208315 | |
local.identifier.absseo | 950101 - Music | |
dc.date.updated | 2016-02-24T08:51:05Z | |
local.identifier.scopusID | 2-s2.0-84862107051 | |
Collections | ANU Research Publications |
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