Henrik Ibsen's play A Doll's House caused a global sensation when first performed in the nineteenth century. Nora, the play's protagonist, became an icon for women, an emblematic figure representing the pursuit of selfhood. This article aims to historicise the figure of Nora in Korean gender politics as a representation of both the quintessence of modernity and the antithesis of "womanly virtue". It specifically examines the tensions in the Korean perception of the character by juxtaposing the...[Show more]
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