Roy (previously Chenoweth), Diane
This paper interrogates the performance of Slovak traditional music and dance by Lnica: Slovak National Folklore Ballet in Melbourne's Hamer Hall in October 2007, using data collected by means of an audience survey. It seeks to articulate, in this case, how hegemonies within Australia's multicultural society were enacted and reproduced by this performance and its reception. Although the Australian population is comprised of roughly 250 ancestries, many are marginal, receiving little or no...[Show more]
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