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'Playing like a girl': Practices and performance ideals at the piano

Maslen, Sarah

Description

Studies of classical music have typically neglected the physical production of musical sound, in line with an ideal that a musician's performance appears effortless. However, the costs of elite classical musician performance are increasingly becoming evid

dc.contributor.authorMaslen, Sarah
dc.date.accessioned2015-12-10T22:35:49Z
dc.date.available2015-12-10T22:35:49Z
dc.identifier.issn2211-2669
dc.identifier.urihttp://hdl.handle.net/1885/56430
dc.description.abstractStudies of classical music have typically neglected the physical production of musical sound, in line with an ideal that a musician's performance appears effortless. However, the costs of elite classical musician performance are increasingly becoming evid
dc.publisherElsevier
dc.sourcePerformance Enhancement and Health
dc.subjectKeywords: Gender; Musicians; Performance; Piano; Sociology; Technique
dc.title'Playing like a girl': Practices and performance ideals at the piano
dc.typeJournal article
local.description.notesImported from ARIES
local.identifier.citationvolume2
dc.date.issued2013
local.identifier.absfor169901 - Gender Specific Studies
local.identifier.ariespublicationu4756716xPUB362
local.type.statusPublished Version
local.contributor.affiliationMaslen, Sarah, College of Arts and Social Sciences, ANU
local.bibliographicCitation.issue2013
local.bibliographicCitation.startpage3
local.bibliographicCitation.lastpage7
local.identifier.doi10.1016/j.peh.2013.01.001
local.identifier.absseo950101 - Music
dc.date.updated2016-02-24T11:23:36Z
local.identifier.scopusID2-s2.0-84878948746
CollectionsANU Research Publications

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