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Seaham No.1 Colliery, New South Wales

This image is provided for research purposes only and must not be reproduced without the prior permission of the Archives Program, Australian National University.

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dc.contributor.otherCazneaux, Harold (Pierce), 1878-1953
dc.coverage.spatialSeaham, New South Wales
dc.date.accessioned2004-02-25T03:20:11Z
dc.date.accessioned2011-01-05T09:55:10Z
dc.date.available2004-02-25T03:20:11Z
dc.date.available2011-01-05T09:55:10Z
dc.date.created1925
dc.identifier.urihttp://hdl.handle.net/1885/16
dc.identifier.urihttp://digitalcollections.anu.edu.au/handle/1885/558611
dc.description.abstractTwo eucalypts frame a view of colliery buildings and structures on the far side of a stretch of water. The mining equipment visible includes a winding wheel and a chimney emitting smoke. This is one of two Seaham collieries which produced high quality steam coal from the Borehole seam. Cazneaux printed this image from a photograph he took for one of the many projects assigned to him by the art firm of (Ure) Smith and (Harry) Julius. He and artist, Albert Collins (died 1951) created the illustrations for a souvenir volume for Abermain Seaham Collieries. This image differs from that on page 41 of the book by being more closely cropped. Cropping was one of the techniques used by Pictorialist photographers like Cazneaux to create compositions that resembled artworks made in more traditional media. The print is in the Adelaide Steamship Company's collection because in 1905 the company acquired large interests in the Abermain Colliery (near Maitland), the Seaham Colliery (near Newcastle) and the North Bulli Mine (near Wollongong) in order to secure its source of bunkering coal - a move that was to prove advantageous when the price of British steamering coal rose dramatically in 1908. The interests of the Abermain and Seaham collieries merged in 1922 and in 1931 a further merger created J. & A. Brown & Abermain Seaham. The Adelaide Steamship Company remained the mining company's largest shareholder.
dc.format.extent89924176 bytes
dc.format.mediumBlack and white photograph
dc.format.medium24.9cm x 20cm
dc.format.mimetypeimage/tiff
dc.language.isoen_AU
dc.publisherAbermain & Seaham Coals; Sydney: Abermain Seaham Collieries, 1925 (Sydney: Pratten Bros.) This image differs from that on page 41 by being more closely cropped.
dc.relation.ispartofAdelaide Steamship Company
dc.relation.ispartofNoel Butlin Archives Centre. ANU Archives Program.
dc.relation.ispartofseriesAlbum of eight photographs of Abermain and Seaham Collieries, Hunter River, and Newcastle wharves, beach and harbour taken by Harold Pierce Cazneaux, 1925.
dc.rightsThis image is provided for research purposes only and must not be reproduced without the prior permission of the Archives Program, Australian National University.
dc.subject.otherPhotographs
dc.subject.otherindustrial photography
dc.subject.othercoalmines
dc.subject.othercoal industry
dc.subject.otherbuildings, structures & establishments
dc.subject.otherindustrial buildings
dc.subject.otherindustrial equipment
dc.subject.otherplant (industrial)
dc.subject.otherderricks
dc.subject.otherlift shafts
dc.subject.otherchimneys
dc.subject.othersmoke
dc.subject.otherwheels
dc.subject.otherindustrial area
dc.subject.othergrasses
dc.subject.othereucalypts
dc.subject.otherAbermain Seaham Collieries Limited
dc.titleSeaham No.1 Colliery, New South Wales
dc.typeImage
local.description.notesInscribed in white on image, l.l.: 1925.
local.description.notesinscribed in pencil below image, l.l.: 'Seaham No 1. Colliery.'
local.description.notesinscribed in pencil below image, l.r.: H Cazneaux
local.description.notesCazneaux printed this image from a photograph he took for one of the many projects assigned to him by the art firm of Smith and Julius. He and artist, Albert Collins (died 1951) created the illustrations for a souvenir volume: Abermain & Seaham Coals, published by Abermain Seaham Collieries Limited, Sydney, 1925. This image differs from that on page by being more closely cropped. Cropping was one of the techniques used by Pictorialist photographers like Cazneaux to create compositions that resembled artworks made in more traditional media.
local.citationN046-114-01
CollectionsPhotographs : Harold Cazneaux

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