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Becoming a "New" Museum? Contesting Oceanic Visions at Musee du Quai Branly

Jolly, Margaret

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The Musee du Quai Branly (mqb) has been the focus of passionate debates in scholarly and public media in France and globally, since even before its opening in June 2006. These debates have often polarized advocates of divergent aesthetic and ethnographic

dc.contributor.authorJolly, Margaret
dc.date.accessioned2015-12-08T22:44:57Z
dc.identifier.issn1043-898X
dc.identifier.urihttp://hdl.handle.net/1885/37624
dc.description.abstractThe Musee du Quai Branly (mqb) has been the focus of passionate debates in scholarly and public media in France and globally, since even before its opening in June 2006. These debates have often polarized advocates of divergent aesthetic and ethnographic
dc.publisherUniversity of Hawaii Press
dc.sourceThe Contemporary Pacific
dc.source.urihttp://hdl.handle.net/10125/22319
dc.subjectKeywords: art; esthetics; museum; repatriation; France Aesthetics; Ethnography; France; Indigenous australia; Museums; Oceanic art; Repatriation
dc.titleBecoming a "New" Museum? Contesting Oceanic Visions at Musee du Quai Branly
dc.typeJournal article
local.description.notesImported from ARIES
local.identifier.citationvolume23
dc.date.issued2011
local.identifier.absfor200210 - Pacific Cultural Studies
local.identifier.ariespublicationu4491231xPUB151
local.type.statusPublished Version
local.contributor.affiliationJolly, Margaret, College of Asia and the Pacific, ANU
local.description.embargo2037-12-31
local.bibliographicCitation.issue1
local.bibliographicCitation.startpage108
local.bibliographicCitation.lastpage139
dc.date.updated2016-02-24T11:10:33Z
local.identifier.scopusID2-s2.0-80051639947
local.identifier.thomsonID000287556600004
CollectionsANU Research Publications

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