The Space of Biography: Writing on Olive Cotton
Description
I didn't want to begin with a death but found no way around it. For some reason I am not one of those who can write well on the living. The Australian modernist photographer Olive Cotton, who is my subject, died in 2003 but it wasn't until the death of her husband, Ross McInerney, seven years later that I felt able to start writing her biography. I had been preparing myself as best I could, being careful not to take any liberties with biographical material I had been given or had already...[Show more]
dc.contributor.author | Ennis, Helen D | |
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dc.date.accessioned | 2015-12-08T22:18:21Z | |
dc.identifier.issn | 0025-6293 | |
dc.identifier.uri | http://hdl.handle.net/1885/31308 | |
dc.description.abstract | I didn't want to begin with a death but found no way around it. For some reason I am not one of those who can write well on the living. The Australian modernist photographer Olive Cotton, who is my subject, died in 2003 but it wasn't until the death of her husband, Ross McInerney, seven years later that I felt able to start writing her biography. I had been preparing myself as best I could, being careful not to take any liberties with biographical material I had been given or had already gathered. Ross's death was not unexpected (he was a lifelong smoker who developed lung cancer at the age of ninety-one) but I was shocked by the strength and immediacy of its impact on my biographical project. It was electrifying. All of a sudden the key had been turned, the door opened and in I went to a space that previously did not - could not - exist. Janet Frame explains this transformative experience best in her autobiography The Envoy from Mirror City when she says, 'writing of the dead is different for the dead have surrendered their story'. And so the day after Ross's burial in a bush-circled cemetery in country New South Wales, I assumed a new role - as a storyteller, as Olive Cotton's biographer. | |
dc.publisher | Meanjin Company Ltd | |
dc.source | Meanjin | |
dc.source.uri | http://search.informit.com.au/documentSummary;dn=804561307697166;res=IELLCC | |
dc.title | The Space of Biography: Writing on Olive Cotton | |
dc.type | Journal article | |
local.description.notes | Imported from ARIES | |
local.identifier.citationvolume | 71 | |
dc.date.issued | 2012 | |
local.identifier.absfor | 190104 - Visual Cultures | |
local.identifier.ariespublication | u9903547xPUB81 | |
local.type.status | Published Version | |
local.contributor.affiliation | Ennis, Helen D, College of Arts and Social Sciences, ANU | |
local.bibliographicCitation.issue | 3 Spring 2012 | |
local.bibliographicCitation.startpage | 64 | |
local.bibliographicCitation.lastpage | 75 | |
dc.date.updated | 2015-12-08T08:15:42Z | |
local.identifier.scopusID | 2-s2.0-84866290962 | |
local.identifier.thomsonID | 000308450400014 | |
dcterms.accessRights | Open Access | |
dc.provenance | https://meanjin.com.au/about-meanjin/copyright-and-payment/..." Copyright will remain with the authors, and the material cannot be further republished without authorial permission" from the publisher site (as at 4 Jan 2020) | |
Collections | ANU Research Publications |
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01_Ennis_The_Space_of_Biography:_2012.pdf | 2.73 MB | Adobe PDF |
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