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The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror

dc.contributor.authorTregear, Peter
dc.date.accessioned2015-12-07T22:54:18Z
dc.identifier.issn1477-4631
dc.identifier.urihttp://hdl.handle.net/1885/28130
dc.publisherOxford University Press
dc.sourceMusic & Letters
dc.titleThe Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
dc.typeJournal article
local.description.notesImported from ARIES
local.identifier.citationvolume94
dc.date.issued2013
local.identifier.absfor190409 - Musicology and Ethnomusicology
local.identifier.ariespublicationU3650076xPUB56
local.type.statusPublished Version
local.contributor.affiliationTregear, Peter, College of Arts and Social Sciences, ANU
local.description.embargo2037-12-31
local.bibliographicCitation.issue3 August 2013
local.bibliographicCitation.startpage551
local.bibliographicCitation.lastpage554
local.identifier.doi10.1093/ml/gct088
local.identifier.absseo950101 - Music
dc.date.updated2015-12-07T12:48:37Z
CollectionsANU Research Publications

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