Revolution Sacrilege! Examining the Technological Divide among Record Producers in the Late 1980s
The mid to late 1980s was a pivotal time in recording and production technology. As the use of MIDI, samplers, computers and digital tape recording crept into the professional studio, this technology was hailed as revolutionary by some and met with a barrage of technological pessimism by others. This paper examines how technology divided record producers, splitting them essentially into two camps towards the end of the 1980s � the traditionalist and the technophiliac. How did the use of...[Show more]
|Collections||ANU Research Publications|
|Source:||Journal on the Art of Record Production|
|01_Bennett_Revolution_Sacrilege!_2009.pdf||162.44 kB||Adobe PDF||Request a copy|
Items in Open Research are protected by copyright, with all rights reserved, unless otherwise indicated.