BEAT will reconcile Maloney’s photographic work with the important context of industrial music in his practice, also highlighting and focusing on its gay content. Large-scale, xerox-style reproductions of Maloney’s photographic work will function as a backdrop for a performance dictated by Maloney, expanding on his earlier “naive” DUST work in the 1980’s, in BEAT towing a line between visual art exhibition/performance and industrial (by academic terms “popular”) music.
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