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The Gathering

Alwast, Peter

Description

This painting re-presents a populist march in Poland during 2018. It was first exhibited in a solo exhibition that featured a conceptual clash between 'traditional' painterly works and digital prints generated through new media software. These formal tensions draw from recent social and political events, driven by irreconcilable disputes between technocratic utopianism and nostalgic forms of anti-modernity.

dc.contributor.authorAlwast, Peter
dc.contributor.editorCollie, Allan
dc.coverage.spatialGallery9, Sydney
dc.date.accessioned2020-09-10T05:52:29Z
dc.identifier.urihttp://hdl.handle.net/1885/209932
dc.description.abstractThis painting re-presents a populist march in Poland during 2018. It was first exhibited in a solo exhibition that featured a conceptual clash between 'traditional' painterly works and digital prints generated through new media software. These formal tensions draw from recent social and political events, driven by irreconcilable disputes between technocratic utopianism and nostalgic forms of anti-modernity.
dc.format.extent1 works
dc.format.extentSolo exhibition in Sydney, the culmination of PhD
dc.format.mimetypeapplication/pdf
dc.language.isoen_AU
dc.publisherGallery 9
dc.rights© 2018 The Author(s)
dc.sourceMaking Sense
dc.titleThe Gathering
dc.typeCreative work
local.description.notesImported from ARIES
dc.date.issued2018-10-03
local.identifier.absfor190502 - Fine Arts (incl. Sculpture and Painting)
local.identifier.ariespublicationa383154xPUB12520
local.type.statusPublished Version
local.contributor.affiliationAlwast, Peter, College of Arts and Social Sciences, ANU
local.description.embargo2037-12-31
dc.date.updated2020-06-07T08:19:38Z
local.bibliographicCitation.placeofpublicationGallery9, Sydney
CollectionsANU Research Publications

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