Le métro-maison et l'art de la transmédiation dans L'Écume des jours : de Vian à Gondry

Abstract

The name of Boris Vian is known to everyone, whether as an author, jazzman, pataphysician or singer. However, since Cerisy's colloquium in 1976 and the publication of his complete works in the prestigious La Pléiade collection in 2010, it would seem that, with a few exceptions, university studies have specialized in analyzes reduced to a single genre and always imprints of biographical elements. This volume proposes to depart from the rule and adopt new perspectives on the multiple identity of Vian's work. By favoring an interdisciplinary angle, our contributors reveal its transmediality, thanks to the contribution of their respective specialties. This innovative approach offers avenues for research in Vienna that will renew the interpretation of the work of this protean author.