Le métro-maison et l'art de la transmédiation dans L'Écume des jours : de Vian à Gondry
The name of Boris Vian is known to everyone, whether as an author, jazzman, pataphysician or singer. However, since Cerisy's colloquium in 1976 and the publication of his complete works in the prestigious La Pléiade collection in 2010, it would seem that, with a few exceptions, university studies have specialized in analyzes reduced to a single genre and always imprints of biographical elements. This volume proposes to depart from the rule and adopt new perspectives on the multiple identity of...[Show more]
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