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Historically informed performance

Bowan, Kate

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Historically Informed Performance (HIP) practitioners explore repertoires from antiquity to the late 19th century. Ranging from lost traditions demanding profound sonic reimaginings to the defamiliarizing of canonical repertoire, HIP has produced a vast body of musical performance, recordings, and scholarship. The relationship between the mainstream and HIP has been marked by suspicion, but the so-called “turf wars” also reflect the breadth of HIP. While HIP practitioners may not often consider...[Show more]

dc.contributor.authorBowan, Kate
dc.contributor.editorVanessa Agnew
dc.contributor.editorJonathan Lamb
dc.contributor.editorJuliane Tomann
dc.date.accessioned2020-06-18T01:13:14Z
dc.identifier.isbn9781138333994
dc.identifier.urihttp://hdl.handle.net/1885/205270
dc.description.abstractHistorically Informed Performance (HIP) practitioners explore repertoires from antiquity to the late 19th century. Ranging from lost traditions demanding profound sonic reimaginings to the defamiliarizing of canonical repertoire, HIP has produced a vast body of musical performance, recordings, and scholarship. The relationship between the mainstream and HIP has been marked by suspicion, but the so-called “turf wars” also reflect the breadth of HIP. While HIP practitioners may not often consider the relationship between their work and historical reenactment, HIP has produced insightful scholarship on issues such as authenticity, expression, historical understanding and its relationship to creative performance, and the relation between past and present. HIP has tended to distance itself from the heritage industry’s more kitsch forms of reenactment, and the term reenactment is scarce in HIP literature. HIP’s decades-long debate comprises “a continuous, reflexive critique” that despite its acrimony offers an alternative and potentially fruitful perspective that resonates with and extends reenactment studies.
dc.format.mimetypeapplication/pdf
dc.language.isoen_AU
dc.publisherRoutledge
dc.relation.ispartofThe Routledge Handbook of Reenactment Studies: Key Terms in the Field
dc.relation.isversionof1st Edition
dc.rights© 2020 Routledge
dc.source.urihttps://doi.org/10.4324/9780429445637
dc.titleHistorically informed performance
dc.typeJournal article
local.description.notesImported from ARIES
dc.date.issued2020
local.identifier.absfor190409 - Musicology and Ethnomusicology
local.identifier.ariespublicationu1058320xPUB10
local.publisher.urlhttps://www.routledge.com/
local.type.statusPublished Version
local.contributor.affiliationBowan, Kate, College of Arts and Social Sciences, ANU
local.description.embargo2037-12-31
local.bibliographicCitation.startpage106
local.bibliographicCitation.lastpage110
local.identifier.doi10.4324/9780429445637
local.identifier.absseo950101 - Music
dc.date.updated2020-01-19T07:24:46Z
local.bibliographicCitation.placeofpublicationAbingdon
CollectionsANU Research Publications

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