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Tuti-nama: The husband berates his wife for purchasing gravel instead of sugar (Tale VIII)

This item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.

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dc.contributor.authorCleveland Museum of Art
dc.contributor.authorPhotographer: Arthur Llewellyn Basham
dc.coverage.spatialIndia
dc.date.accessioned2019-12-05T23:20:37Z
dc.date.available2019-12-05T23:20:37Z
dc.date.createdApril, 1978
dc.identifierANUA 682-2746
dc.identifier.otherIIP-72
dc.identifier.other1723
dc.identifier.urihttp://hdl.handle.net/1885/187697
dc.descriptionThe general composition of the picture is related to works like the Nimat-Nama or other Indian manuscripts of the provincial Persian type. The pink background and arabesque clouds occur in the Bombay Lor Chanda group, but the heavy figure of the woman, with large lotus eyes, heavy double chin, squat neck, pink-striped patka and yellow skirt with circular patterns enclosing stellate designs, the pink chequer design of the canopy, and the yellow bolster placed diagonally on the bed are like those in the Chaurapanchasika group. The face of the man, however, shown in two-thirds profile, is typical of Mughal paintings of the Akbar period -- Folio 70 verso.
dc.format.extent35mm
dc.format.mediumslide
dc.format.mediumcolour
dc.language.isoen_AU
dc.subjectMughal Miniatures: Tuti-nama (Cleveland)
dc.subjectpaintings
dc.subjectminiatures
dc.subjectphotograph
dc.titleTuti-nama: The husband berates his wife for purchasing gravel instead of sugar (Tale VIII)
dc.typeImage
dc.date.updated2019-12-05T23:20:37Z
dc.provenanceDigitised by the Australian National University in 2019
dc.rights.licenseThis item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.
CollectionsArthur Llewellyn Basham

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