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Greenstone jewellery workshops in the Tabon Caves complex of the Philippines

Hung, Hsiao-chun; Iizuka, Yoshiyuki; Bolunia, Mary Jane

Description

In the 1960s, when Robert Fox excavated the Tabon Caves on Palawan Island of the southwest Philippines, many beautiful jade ornaments were discovered. For several decades, these jade objects were presumed to be imported from Mainland Southeast Asia or China. Through typological, technological and geochemical analyses, the authors re-examined 40 samples from Tabon excavated by Fox. Details are presented here for the greenstone jewellery and worked fragments from the Guri, Uyaw and Tabon Caves....[Show more]

dc.contributor.authorHung, Hsiao-chun
dc.contributor.authorIizuka, Yoshiyuki
dc.contributor.authorBolunia, Mary Jane
dc.contributor.editorLangley, M.
dc.contributor.editorLitster, M.
dc.contributor.editorWright, D.
dc.contributor.editorMay, S.
dc.date.accessioned2019-12-04T03:18:27Z
dc.identifier.isbn9781138237766
dc.identifier.urihttp://hdl.handle.net/1885/187280
dc.description.abstractIn the 1960s, when Robert Fox excavated the Tabon Caves on Palawan Island of the southwest Philippines, many beautiful jade ornaments were discovered. For several decades, these jade objects were presumed to be imported from Mainland Southeast Asia or China. Through typological, technological and geochemical analyses, the authors re-examined 40 samples from Tabon excavated by Fox. Details are presented here for the greenstone jewellery and worked fragments from the Guri, Uyaw and Tabon Caves. The results confirmed at least three of the caves served as greenstone jewellery workshops for producing at least three types of greenstone (nephrite, serpentinite and mica) ornaments. These studies further suggested that several of the basic forms/styles of greenstone ornaments probably were developed from certain types of jade ornaments in the late Neolithic of Taiwan. It is important to note that the local artistic inputs in the Philippines and cultural influences from neighbouring regions (such as Vietnam) eventually shaped the great variety of Philippine greenstone jewellery. These new results support a re-consideration of the social meaning of the ancient greenstone workshops in the larger context of the South China Sea maritime trade networks more than 2000 years ago.
dc.format.mimetypeapplication/pdf
dc.language.isoen_AU
dc.publisherRoutledge
dc.relation.ispartofThe Archaeology of Portable Art: Southeast Asian, Pacific, and Australian Perspectives
dc.relation.isversionof1st edition Edition
dc.rights© 2018 selection and editorial matter, Michelle C. Langley, Mirani Litster, Duncan Wright and Sally K. May; individual chapters, the contributors
dc.source.urihttps://www.routledge.com/The-Archaeology-of-Portable-Art-Southeast-Asian-Pacific-and-Australian/Langley-Litster-Wright-May/p/book/9781138237766
dc.titleGreenstone jewellery workshops in the Tabon Caves complex of the Philippines
dc.typeBook chapter
local.description.notesImported from ARIES
local.description.refereedYes
dc.date.issued2018
local.identifier.absfor210103 - Archaeology of Asia, Africa and the Americas
local.identifier.ariespublicationu5786633xPUB175
local.publisher.urlhttps://www.routledge.com/
local.type.statusPublished Version
local.contributor.affiliationHung, Hsiao-Chun, College of Asia and the Pacific, ANU
local.contributor.affiliationIizuka, Yoshiyuki, Academia Sinica
local.contributor.affiliationBolunia, Mary Jane, National Museum of the Philippines
local.description.embargo2037-12-31
local.bibliographicCitation.startpage68
local.bibliographicCitation.lastpage89
local.identifier.doi10.4324/9781315299112-6
local.identifier.absseo970121 - Expanding Knowledge in History and Archaeology
dc.date.updated2020-11-22T07:53:26Z
local.bibliographicCitation.placeofpublicationOxford and New York
CollectionsANU Research Publications

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