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Harshagiri, Purana Mahadeo Temple

This item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.

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dc.contributor.authorKramrisch, Stella
dc.contributor.authorPhotographer: Arthur Llewellyn Basham
dc.coverage.spatialIndia (Harshagiri, Rajasthan)
dc.date.accessioned2019-10-15T00:55:32Z
dc.date.available2019-10-15T00:55:32Z
dc.date.created1954
dc.identifierANUA 682-1259
dc.identifier.otherIM-334
dc.identifier.urihttp://hdl.handle.net/1885/176253
dc.descriptionDance of calm (lasya). The movement of crossed legs and bent knees (in ayata position) allows them to play on drum, flute and mridanga (barrel-shaped drum). The dancer raises a flower and holds her left hand in alapadma, the open hand signifying lotus, or mirror & other objects, qualities, or moods, in the context of the dance. -- Scene of dance and music (now in Sikar Museum Rajasthan). 961-973. 19 ins. high.
dc.format.extent35mm
dc.format.mediummounted transparency
dc.format.mediumb&w
dc.format.mimetypeimage/tiff
dc.language.isoen_AU
dc.relation.ispartofseriesBasham Collection
dc.subjectRajasthan-- Sculpture
dc.subjectstone sculpture
dc.subjectbook scan
dc.titleHarshagiri, Purana Mahadeo Temple
dc.typeImage
local.description.notesSource: S. Kramrisch, The Art of India. London, Phaidon Press, 1954, ill. 117
dc.date.updated2019-10-15T00:55:31Z
dc.provenanceDigitised by the Australian National University in 2019
dc.rights.licenseThis item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.
CollectionsArthur Llewellyn Basham

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