Painting Invasion and Colonisation: Provisional Evocations of the Past
This studio-based research explores how painting can act as a vehicle for my reflections on the invasion and colonisation of Tasmania. The project brings together three fields of inquiry: the history of invasion and colonisation in Tasmania, contemporary politics, and the history and contemporary practice of painting. My research questions focus on exploring how aspects of each field touch and animate each other and how painting might delve into important...[Show more]
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