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Painted shark vertebrae beads from the Djawumbu-Madjawarrnja complex, western Arnhem Land

Wright, Duncan; Langley, Michelle; May, Sally; Johnston, Iain; Allen, Lindy

Description

In Europe and Africa, fine grained use wear and residue analyses of various organic bead technologies have provided remarkable information about specialist artisans and their affiliate communities. Ethnographic research suggests that personal ornaments represent one of the best ways to explore past human interactions and ethno-linguistic diversity. The study of material culture featured in rock art is now well established in Australia, but few detailed analyses have concentrated on personal...[Show more]

dc.contributor.authorWright, Duncan
dc.contributor.authorLangley, Michelle
dc.contributor.authorMay, Sally
dc.contributor.authorJohnston, Iain
dc.contributor.authorAllen, Lindy
dc.date.accessioned2018-11-29T22:54:20Z
dc.date.available2018-11-29T22:54:20Z
dc.identifier.issn0312-2417
dc.identifier.urihttp://hdl.handle.net/1885/152750
dc.description.abstractIn Europe and Africa, fine grained use wear and residue analyses of various organic bead technologies have provided remarkable information about specialist artisans and their affiliate communities. Ethnographic research suggests that personal ornaments represent one of the best ways to explore past human interactions and ethno-linguistic diversity. The study of material culture featured in rock art is now well established in Australia, but few detailed analyses have concentrated on personal ornaments recovered from the archaeological record. Fewer still have assessed the potential of this medium for assessing regional variations, despite rich ethnographic histories which point to the significance of these objects for self-differentiating communities and/or clans. This paper examines a collection of painted shark vertebrae beads recently discovered during archaeological survey in Arnhem Land. Detailed morphometric and use wear analysis is presented for these ornaments, alongside Aboriginal oral traditions, and assessment of similar artefacts held in museum collections across Australia. The potential of this combined approach within the Australian context is discussed, including how these studies add to our understanding of group signifying behaviour.
dc.format.mimetypeapplication/pdf
dc.publisherRoutledge Taylor & Francis Group
dc.sourceAustralian Archaeology
dc.titlePainted shark vertebrae beads from the Djawumbu-Madjawarrnja complex, western Arnhem Land
dc.typeJournal article
local.description.notesImported from ARIES
local.identifier.citationvolume82
dc.date.issued2016
local.identifier.absfor210100 - ARCHAEOLOGY
local.identifier.ariespublicationu4070761xPUB170
local.type.statusPublished Version
local.contributor.affiliationWright, Duncan, College of Arts and Social Sciences, ANU
local.contributor.affiliationLangley, Michelle, College of Asia and the Pacific, ANU
local.contributor.affiliationMay, Sally, College of Arts and Social Sciences, ANU
local.contributor.affiliationJohnston, Iain, College of Arts and Social Sciences, ANU
local.contributor.affiliationAllen, Lindy, Museum Victoria
local.bibliographicCitation.issue1
local.bibliographicCitation.startpage43
local.bibliographicCitation.lastpage54
local.identifier.doi10.1080/03122417.2016.1164356
local.identifier.absseo970121 - Expanding Knowledge in History and Archaeology
dc.date.updated2018-11-29T07:59:09Z
local.identifier.scopusID2-s2.0-84996490393
local.identifier.thomsonID000379885700005
dcterms.accessRightsOpen Access
CollectionsANU Research Publications

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