Contemporary processes and historical precedents for handmade crafts practice in the context of technological change
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dc.contributor.author | Welch, Andrew Ian | |
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dc.date.accessioned | 2018-11-22T00:08:51Z | |
dc.date.available | 2018-11-22T00:08:51Z | |
dc.date.copyright | 2010 | |
dc.identifier.other | b2499529 | |
dc.identifier.uri | http://hdl.handle.net/1885/151659 | |
dc.format.extent | 2 v. | |
dc.language.iso | en_AU | |
dc.rights | Author retains copyright | |
dc.subject.lcc | NK750.W45 2010 | |
dc.subject.lcsh | Australian National University. National Institute of the Arts. School of Art ExhibitionsGraduate work | |
dc.subject.lcsh | Handicraft History | |
dc.subject.lcsh | Decorative arts History | |
dc.subject.lcsh | Handicraft Technological innovations | |
dc.subject.lcsh | Jewelry ExhibitionsAustralia Canberra (A.C.T.) | |
dc.subject.lcsh | Art, Australian Exhibitions21st century Australia Canberra (A.C.T.) | |
dc.title | Contemporary processes and historical precedents for handmade crafts practice in the context of technological change | |
dc.type | Thesis (PhD) | |
local.description.notes | Thesis (Ph.D.)--Australian National University | |
dc.date.issued | 2010 | |
local.type.status | Accepted Version | |
local.contributor.affiliation | Australian National University. National Institute of the Arts. School of Art. Visual Arts Graduate Program | |
local.identifier.doi | 10.25911/5d5152e1b8d71 | |
dc.date.updated | 2018-11-21T12:00:16Z | |
dcterms.accessRights | Open Access | |
dc.description.tableofcontents | [v.1 Dissertation] -- [v.2. Exegesis : Studio practice component] | |
local.mintdoi | mint | |
Collections | Open Access Theses |
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File | Description | Size | Format | Image |
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b24995290_Welch_A_I_v1.pdf | 12.29 MB | Adobe PDF | ![]() | |
b24995290_Welch_A_I_v2.pdf | 7.67 MB | Adobe PDF | ![]() |
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