Presented for Music Research Seminar, Kingsland Room, Level 6 ANU School of Music. Current musicological practice provides us with a range of procedures for investigating aspects of the construction of particular genres of Western art music, or for understanding typical listener perceptual response patterns. Each method attempts to deal with the problems of subjectivity of the analyst and/or the nature of music as a time-based intangible artform. As a result, conventional methods overlook or...[Show more]
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