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What happens next? Imaginative presence in Gary Peacock and Lee Konitz: Divergent fields, audiation, and the unexpected

Robertson, Benjamin Ian Roderick


Bassist Gary Peacock champions an intuitive aesthetic, whether improvising over standard or free jazz forms. Saxophonist Lee Konitz utilises a similarly fearless approach, improvising melodic ideas that are conceived in the moment. This can be an elusive goal for improvisers, and so this research compares the approaches of these two improvisers via transcription and analysis, and the employment of their methods in my own creative practice. In synthesising the...[Show more]

CollectionsOpen Access Theses
Date published: 2016
Type: Thesis (MPhil)
DOI: 10.25911/5d74e56ebceef


File Description SizeFormat Image
Robertson Thesis 2016.pdf10.98 MBAdobe PDFThumbnail
Robertson tracks1-39 accompanying to chapters one and two.zip6.8 kBUnknown
Robertson_Unanchored Music.zip1.41 kBUnknown

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