Cooke, Nola Jean
Description
This thesis explores French colonial perceptions of
Vietnamese- cultural identity derived from the fusion of
collective projections of European Self and Asian Other
with the French fallacy of Vietnam as "little China". Colonialism
mythologised these perceptions to meet the personal
needs of French officials (and others) to feel securely in
control of their alien Asian environment. Myths of Self and
Other appeared early in colonial Cochinchina, and persisted
in their initial form until...[Show more] the twentieth century when political
disturbances like the 1908 anti-tax movement in the
Protectorate of Annam (Central Vietnam) exposed certain
shortcomings. In Annam, the subsequent need to neutralise
anxieties about the arcane power of "Annamite tradition"
prompted members of the Hue-based Amis du Vieux Hue to update existing colonial myths during the later 1910s.
Their revision resulted in the definitive versions of
two politically significant colonial myths that defined
Vietnamese (and French colonial) identity _for the rest of
the colonial period. They are called in this thesis the
myths of "old, traditional Annam", and of the union of
French genius and Annamite soul. So successful were they
that their arguments continued to shape French (and western)
understanding of Vietnam and the Vietnamese long into
the post-colonial era. These myths, and the legitimating
"little China" model they rested on, seemed to most observers
to be objectively verifiable by recourse to colonial
studies of Vietnamese history, society and customs. But, as
this thesis argues, that influential body of understanding
owed far less to Vietnam than to the needs and assumptions
of an imported European discourse, in which unconscious
collective projections of French Self and Vietnamese Other
played the dominant role.
The thesis examines that discourse, and the myths and
projections at its heart. It begins by sketching in outline
the main political trends in the century before French invasion
as a framework for assessing the accuracy of Chinese
model interpretations of Vietnam at the time. It then moves
to colonial Annam, where it considers the concrete circumstances
in which the compensatory development of political
myths of Self and Other occurred. It then concludes with
historical examples of collective projection and political
myth, first analysing the colonial model of a Sinic monarchy,
and then French images of their colonial selves, and
of the Vietnamese Other.
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