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Writing craft / writing history

Kleinert, Sylvia


The point is often made that the entry of Aboriginal art into public galleries has involved a fundamental shift in perception from the anonymous, scientific categories of ethnography to the status accorded the aesthetic art object. But in celebrating the recognition for contemporary Aboriginal art we need to be mindful that discourses of Aboriginality are constituted in and through colonial power relationships.

CollectionsANU Research Publications
Date published: 2009-09-22T03:02:11Z
Type: Journal article
Source: Humanities Research


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