Cult, cosmos, and craft at a Thai art academy
| dc.contributor.author | Irwin, Anthony Lovenheim | en |
| dc.contributor.author | George, Kenneth M. | en |
| dc.contributor.author | Narayan, Kirin | en |
| dc.date.accessioned | 2025-05-23T06:25:20Z | |
| dc.date.available | 2025-05-23T06:25:20Z | |
| dc.date.issued | 2024-04-01 | en |
| dc.description.sponsorship | All translations from our Thai source materials and interviews are by Anthony Lovenheim Irwin. Open access publishing facilitated by Australian National University, as part of the Wiley - Australian National University agreement via the Council of Australian University Librarians. We gratefully acknowledge the support of the Australian Research Council for our ethnographic research in India and Thailand (Discovery Project Award DP170104212, K. Narayan and K. George, Co-Chief Investigators; A.L. Irwin, Research Partner for Thailand). Open access publishing has been facilitated by the Australian National University as part of the Wiley\u2013Australian National University agreement via the Council of Australian University Librarians. Our warm thanks to Jennifer Deger, Victoria Baskin Coffey, Caleb Kingston, Sebastian J. Lowe, Lisa Stefanoff, and the Curatorium Editorial Collective for their invitation to take part in \u2018Epistemic attunements\u2019. Anthony Lovenheim Irwin wishes to acknowledge the Association for Asian Studies Pipeline Fellowship Program, which supported him while drafting this article. We would like to thank Irving Chan Johnson for his support and crucial contacts at Poh Chang. In Bangkok we would like to thank Achan Pramot Buntem, Achan Wichai Rakchat, Achan Chatchai Siripant, and all of the other professors at Poh Chang's Faculty of Thai Painting; Achan Chirapat Prapanvidya; Mr Prasoet Saeueng; Mr Sathit Kumar Pawa; Mrs. Nion Chanthakawanich; and Achan Prakirati Satasut. In Chiang Mai we extend great thanks to Achan Natachak Na Chiang Mai and Achan Phonsin Ratanachudet. In Chiang Rai we would like to thank all the professors at Chiang Rai Technical College, along with Mr and Mrs Ravi and Uma Upra. In New York we extend great thanks to Amelia Toelke and Heath Iverson for their help with producing the visuals of Phra Sayamphuwanat for this project. We gratefully acknowledge, too, the Women's Studio Workshop in Rosendale, New York, where the image was screenprinted, and Purpose Cooperative in Philmont, New York, where the visuals were photographed. Lastly, we thank Deborah Wong and two anonymous reviewers selected by TAJA for their exceedingly helpful comments and corrections to our manuscript. We gratefully acknowledge the support of the Australian Research Council for our ethnographic research in India and Thailand (Discovery Project Award DP170104212, K. Narayan and K. George, Co\u2010Chief Investigators; A.L. Irwin, Research Partner for Thailand). Open access publishing has been facilitated by the Australian National University as part of the Wiley\u2013Australian National University agreement via the Council of Australian University Librarians. Our warm thanks to Jennifer Deger, Victoria Baskin Coffey, Caleb Kingston, Sebastian J. Lowe, Lisa Stefanoff, and the Curatorium Editorial Collective for their invitation to take part in \u2018Epistemic attunements\u2019. Anthony Lovenheim Irwin wishes to acknowledge the Association for Asian Studies Pipeline Fellowship Program, which supported him while drafting this article. We would like to thank Irving Chan Johnson for his support and crucial contacts at Poh Chang. In Bangkok we would like to thank Achan Pramot Buntem, Achan Wichai Rakchat, Achan Chatchai Siripant, and all of the other professors at Poh Chang's Faculty of Thai Painting; Achan Chirapat Prapanvidya; Mr Prasoet Saeueng; Mr Sathit Kumar Pawa; Mrs. Nion Chanthakawanich; and Achan Prakirati Satasut. In Chiang Mai we extend great thanks to Achan Natachak Na Chiang Mai and Achan Phonsin Ratanachudet. In Chiang Rai we would like to thank all the professors at Chiang Rai Technical College, along with Mr and Mrs Ravi and Uma Upra. In New York we extend great thanks to Amelia Toelke and Heath Iverson for their help with producing the visuals of Phra Sayamphuwanat for this project. We gratefully acknowledge, too, the Women's Studio Workshop in Rosendale, New York, where the image was screenprinted, and Purpose Cooperative in Philmont, New York, where the visuals were photographed. Lastly, we thank Deborah Wong and two anonymous reviewers selected by for their exceedingly helpful comments and corrections to our manuscript. TAJA | en |
| dc.description.status | Peer-reviewed | en |
| dc.format.extent | 5 | en |
| dc.identifier.issn | 1035-8811 | en |
| dc.identifier.scopus | 85204520992 | en |
| dc.identifier.uri | http://www.scopus.com/inward/record.url?scp=85204520992&partnerID=8YFLogxK | en |
| dc.identifier.uri | https://hdl.handle.net/1885/733751644 | |
| dc.language.iso | en | en |
| dc.source | Australian Journal of Anthropology | en |
| dc.title | Cult, cosmos, and craft at a Thai art academy | en |
| dc.type | Journal article | en |
| dspace.entity.type | Publication | en |
| local.bibliographicCitation.lastpage | 53 | en |
| local.bibliographicCitation.startpage | 49 | en |
| local.contributor.affiliation | Irwin, Anthony Lovenheim; Independent Scholar | en |
| local.contributor.affiliation | George, Kenneth M.; Sch of Culture History & Lang, School of Culture, History & Language, ANU College of Asia & the Pacific, The Australian National University | en |
| local.contributor.affiliation | Narayan, Kirin; Sch of Culture History & Lang, School of Culture, History & Language, ANU College of Asia & the Pacific, The Australian National University | en |
| local.identifier.citationvolume | 35 | en |
| local.identifier.doi | 10.1111/taja.12502 | en |
| local.identifier.pure | 5063b6bf-9469-4062-bbb2-35c14f2f7fd6 | en |
| local.identifier.url | https://www.scopus.com/pages/publications/85204520992 | en |
| local.type.status | Published | en |