Towards playing in the 'Air': Modeling motion-sound energy relationships in electric guitar performance using deep neural networks
| dc.contributor.author | Erdem, Çaǧri | en |
| dc.contributor.author | Lan, Qichao | en |
| dc.contributor.author | Fuhrer, Julian | en |
| dc.contributor.author | Martin, Charles | en |
| dc.contributor.author | Torresen, Jim | en |
| dc.contributor.author | Jensenius, Alexander Refsum | en |
| dc.date.accessioned | 2025-05-29T22:32:55Z | |
| dc.date.available | 2025-05-29T22:32:55Z | |
| dc.date.issued | 2020 | en |
| dc.description.abstract | In acoustic instruments, sound production relies on the interaction between physical objects. Digital musical instruments, on the other hand, are based on arbitrarily designed action-sound mappings. This paper describes the ongoing exploration of an empirically-based approach for simulating guitar playing technique when designing the mappings of 'air instruments'. We present results from an experiment in which 33 electric guitarists performed a set of basic sound-producing actions: impulsive, sustained, and iterative. The dataset consists of bioelectric muscle signals, motion capture, video, and audio recordings. This multimodal dataset was used to train a long short-term memory network (LSTM) with a few hidden layers and relatively short training duration. We show that the network is able to predict audio energy features of free improvisations on the guitar, relying on a dataset of three distinct motion types. | en |
| dc.description.sponsorship | This work was partially supported by the Research Council of Norway (# 262762) and NordForsk (# 86892). | en |
| dc.description.status | Peer-reviewed | en |
| dc.format.extent | 8 | en |
| dc.identifier.isbn | 9788894541502 | en |
| dc.identifier.issn | 2518-3672 | en |
| dc.identifier.other | ORCID:/0000-0001-5683-7529/work/160805119 | en |
| dc.identifier.scopus | 85097440256 | en |
| dc.identifier.uri | http://www.scopus.com/inward/record.url?scp=85097440256&partnerID=8YFLogxK | en |
| dc.identifier.uri | https://hdl.handle.net/1885/733754452 | |
| dc.language.iso | en | en |
| dc.publisher | CERN | en |
| dc.relation.ispartof | SMC 2020 - Proceedings of the 17th Sound and Music Computing Conference | en |
| dc.relation.ispartofseries | 17th Sound and Music Computing Conference, SMC 2020 | en |
| dc.relation.ispartofseries | Proceedings of the Sound and Music Computing Conferences | en |
| dc.rights | Publisher Copyright: Copyright © 2020 Çaǧri Erdem et al. | en |
| dc.title | Towards playing in the 'Air': Modeling motion-sound energy relationships in electric guitar performance using deep neural networks | en |
| dc.type | Conference paper | en |
| dspace.entity.type | Publication | en |
| local.bibliographicCitation.lastpage | 184 | en |
| local.bibliographicCitation.startpage | 177 | en |
| local.contributor.affiliation | Erdem, Çaǧri; University of Oslo | en |
| local.contributor.affiliation | Lan, Qichao; University of Oslo | en |
| local.contributor.affiliation | Fuhrer, Julian; University of Oslo | en |
| local.contributor.affiliation | Martin, Charles; School of Computing, ANU College of Systems and Society, The Australian National University | en |
| local.contributor.affiliation | Torresen, Jim; University of Oslo | en |
| local.contributor.affiliation | Jensenius, Alexander Refsum; University of Oslo | en |
| local.identifier.ariespublication | a383154xPUB18822 | en |
| local.identifier.pure | 52f228e8-71c8-445c-8810-42e50a5ad0b7 | en |
| local.identifier.url | https://www.scopus.com/pages/publications/85097440256 | en |
| local.type.status | Published | en |