Gosain Narayana taking poison in Jahangir's presence, c. 1750, Basohli style (New Delhi, National Museum)

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dc.contributor.authorPhotographer: Arthur Llewellyn Basham
dc.coverage.spatialIndia (Basohli, Jammu and Kashmir)
dc.date.accessioned2019-12-06T00:06:44Z
dc.date.available2019-12-06T00:06:44Z
dc.date.updated2019-12-06T00:06:44Z
dc.descriptionMany of Muhammad Shah's painters went to the Punjab Hills, where they infused the local tradition with Mughal characteristics. The painting shows a Mughal individualization of the faces and a Mughal naturalism in details such as the carpet and the red bolster. However, the leaf-shaped eyes, the smouldering palette, and the atmosphere, charged with violence, reveal the strength of the Basohli tradition.
dc.format.extent35mm
dc.format.mediumslide
dc.format.mediumcolour
dc.format.mediumsepia
dc.identifierANUA 682-3311
dc.identifier.otherIIP-4130
dc.identifier.other25
dc.identifier.urihttp://hdl.handle.net/1885/188262
dc.language.isoen_AU
dc.provenanceDigitised by the Australian National University in 2019
dc.rights.licenseThis item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.
dc.subjectMiniature Painting: Pahari, Basohli style
dc.subjectpaintings
dc.subjectminiatures
dc.subjectslide set
dc.titleGosain Narayana taking poison in Jahangir's presence, c. 1750, Basohli style (New Delhi, National Museum)
dc.typeImage
dspace.entity.typeANUArchivesItem
local.identifier.uidSubmittedByU4962371

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