Open Research will be updating the system on Tuesday, 14 July 2026, from 8:15 to 9:00 AM. We apologise for any inconvenience caused.

Cultural advice

The Australian National University acknowledges, celebrates and pays our respects to the Ngunnawal and Ngambri people of the Canberra region and to all First Nations Australians on whose traditional lands we meet and work, and whose cultures are among the oldest continuing cultures in human history.

Aboriginal and Torres Strait Islander peoples are advised that ANU Library collections may include images, names, voices, and other representations of deceased persons.

Material in the collection may contain terms, language or views that reflect the period in which the item was created and may be considered inappropriate today.

Delhi: Tomb of Altamish, Interior

Date

Authors

Photographer: Arthur Llewellyn Basham

Journal Title

Journal ISSN

Volume Title

Publisher

Abstract

Description

Remains of the earliest Islamic art in India are no longer available to us because of the destruction wrought by counter-invading peoples such as the Mongols and by the indigenous population. These monuments would have included mosques of an early type and other trappings such as thrones or illustrated material. Some very small mosques, still in ruins, do remain in the lower Sind area, and remnants of Islamic influenced Hindu decoration survive in north-west India from these earliest years, but it is not until the beginning of the 13th century that we find better examples: the first of these from the Delhi sultanate. The first ruler to put the Delhi sultanate on a firm administrative basis was Altamish (also Itutmish), who ruled between 1211-1236. His commissioned buildings included an extension of the Delhi mosque (began in 1193), the completion of the Qutb-Minar, a second mosque at Budaun, and a very richly decorated mausoleum for himself behind the Qutb Minar mosque - all displaying the most perfect combination of Islamic and Indian forms. Our illustration shows the interior of the sultan's mausoleum and the marvelous profusion of Islamic abstract decorations
note in particular the use of script around the entrance, which imperceptably [sic] blends with the pure abstract designs. This is our first example of Islamic decoration acting through Hindu technique, for the Moslem builders applied their own systems of ornaments in a Hindu fashion - by carving on the surface of the facade itself rather than applying pre-carved sections as was commonly done in their own country. -- detail. 1210-1235.

Citation

Source

Type

Archives Series

Basham Collection

Date created

circa 1970s

Access Statement

License Rights

This item is provided for research purposes. Contact the Australian National University Archives at butlin.archives@anu.edu.au for permission to use.

DOI

Restricted until

Downloads

abcd