Browsing by Author Hillman, Roger
Showing results 1 to 20 of 35
Akin's Auf der anderen Seite (The Edge of Heaven) and the widening periphery
Author(s) | Silvey, Vivien; Hillman, Roger |
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Type | Journal article |
Date Published | 2010 |
Date Created | - |
Am Rande der Heine-Rezeption: a) Heine im Film; b) eine Vertonung der Wallfahrt nach Kevlaar (On the edge of Heine reception: a) Heine in film; b) a tone setting of the pilgrimage to Kevlaar
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2008 |
Date Created | - |
Antipodean visions of transcultural societies: Ein australisch-deutsches Forschungsprojekt zu Filmen der Gegenwart
Author(s) | Blumentrath, Hendrik; Bodenburg, Julia; Hillman, Roger, et al |
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Type | Journal article |
Date Published | 2005 |
Date Created | - |
Australian Perspectives on (Inter)national European Narratives
Author(s) | Carroli, Piera; Hillman, Roger; Maurer, Louise |
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Type | Book chapter |
Date Published | 1999 |
Date Created | - |
Book Review: Beyond the Subtitle: Remapping European Art Cinema
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2009 |
Date Created | - |
Book Review: David Roberts: The total work of art in European Modernism
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2013 |
Date Created | - |
Book review: LAURA HEINS. Nazi Film Melodrama. Urbana and Chicago: University of Illinois Press, 2013. Pp. viii, 240.
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2014 |
Date Created | - |
Carl Vine's Score in beDevil
Author(s) | Summerhayes, Catherine; Hillman, Roger |
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Type | Book chapter |
Date Published | 2005 |
Date Created | - |
Chiming the Hours: a Philip Glass Soundtrack
Author(s) | Crisp, Deborah; Hillman, Roger |
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Type | Journal article |
Date Published | 2010 |
Date Created | - |
Coming to Our Senses: The Viewer and Herzog's Sonic Worlds
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2012 |
Date Created | - |
Cultural memory on film soundtracks
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2003 |
Date Created | - |
European Comparative Literature in an Australian Languages Department
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 1999 |
Date Created | - |
Fassbinder, and Fassbinder/Peer Raben
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2001 |
Date Created | - |
Film adaptations of Gunther Grass's prose work
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2009 |
Date Created | - |
Film and Music, or Instabilities of National Identity
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2006 |
Date Created | - |
Film at the Millenium
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2010 |
Date Created | - |
Goodbye Lenin (2003): History in the Subjunctive
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2006 |
Date Created | - |
In the Eye of the Story: Film, Music, Narrative
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2006 |
Date Created | - |
Introduction to "My place" (Peter Weiss, Meine Ortschaft )
Author(s) | Hillman, Roger |
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Type | Journal article |
Date Published | 2009 |
Date Created | - |
La Musique Comme Indice Culturel Dans Le Cinema: Au-Dela Des Images Nationales (Music as cultural marker in cinema: beyond the national)
Author(s) | Hillman, Roger |
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Type | Book chapter |
Date Published | 2008 |
Date Created | - |
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